Swingle Singers: le volume 2 de Jazz Sébastien Bach. Philips (314) 542 553-2 (2000)

Swingle Singers: Le Volume 2 de Jazz Sébastien Bach. Philips 542 553-2 (2000), barcode 731454255325 (Japanese edition 4988005250094)



US edition Philips 314 541 533-2 (2000), same barcode


Compiled (with 10 other digipak-CDs of the Paris Swingles) in Swingle Singers (11 CDs) Philips 982 632-5 (2005), barcode 602498263259



Original LP editions “le volume 2 de Jazz Sébastien Bach”, Philips 844 847 BY (1968), US edition “Back to Bach”, Philips PHS 600-288 (1969)

Compiled (with Jazz Sebastian Bach vol. 1) in Philips 542 554-2 (2000), barcode 731454255424

Le volume 2 of Why Settle For Less?
Originally posted on Amazon.com, 3 April 2011

Other than milking the cows – us – I don’t see the point of these “original jacket collection” type of reissues. They reissue the original LPs “straight”, with a reproduction of the original jacket, the absence of liner notes… and the very scanty total timing, hardly above the half-hour (32 minutes in fact). Why settle for half-and-hour when a CD is designed to contain up to 75 or 80? And that Universal also released it paired with its companion Jazz Sébastien Bach vol. 1 in a cardboard casing, doesn’t change the fact that you get two short-LP-timed CDs, not one fully-timed CD.

Make no mistake: the music is great. This is the sequel, published in 1968 (a year later in the US under the title “Back to Bach”), of the Swingle Singers’ original 1963 “Jazz Sébastien Bach” (released in the US under the title “Bach’s Greatest Hits”; see my equally frustrated review of the companion CD reissue, Jazz Sebastian Bach, Vol. 1) which at once propelled the Paris-based group of jazz vocalists founded by Ward Swingle into the limelight. It is as good as its predecessor, with a great selection of Bach hits, great arrangements and great realizations. In fact, this is so entertaining, 32 minutes is frustrating.

But Phonogram – then the owning company of the label Philips in Germany – did the right thing in the early days of the CD (circa 1985) by reissuing the two Bach albums on a single CD, Philips 824 703-2, and that CD (reissued in 2000 with same barcode and label number but different cover) is still available for very cheap as I write (see my extended review under the link). So I don’t see who could be tempted by the present, half-timed but not half-priced reissue. Why settle for less of such good stuff?

Comments are welcome