Reviewing the very bizarre “Jakumetsu – Meditations” in 2013, a CD of what appears to be synthesizer music (liner notes are terse and silent about that) straddling world-music, new wave, progressive rock and Tomita, published in 1992 by the small French label Cybelia, CY 859, by Guy Besançon (a composer entirely unknown to me), I had a hard time finding any biographical info about him online. That is because, I found out, he went in fact by the name BeZançon. He’s an organist, composer and painter living near Paris, and apparently standing at the fringe of each activity. In 1983 the label Saravah had published an LP of his improvisations on the organ, SHL 1080 (it is listed on Discogs.com), that got from Fanfare one of the most scathing reviews I’ve ever read, so scathing it is comical (“A disc so bizarre, and an evaluation so frustrating to produce, that I can only liken both to the experience of nailing Jello to the wall”… “I fail to detect any particle of artistic/conceptual truth in Bazançon’s [sic] reconstructions of his graphics (née, scores) beyond the sort of self-expressive emotion-letting which I hear in my 3-year-old child’s banging at the piano”… “Obviously, this was one of those years when composer, organist, producer, and label sat around and did nothing”).